Certain data and web pages with the health information related to gender and equity have been removed from the centers for Disease Control website and the changes are to comply with President Trump’s. Executive order to eliminate federal Dei programs And federal staffers have been warned of severe consequences if they do not comply with.
The orders With me now is Doctor Jennifer Dusseault.
She is a professor of epidemiology at Brown University and the director of the Pandemic Center at Brownes University’s School of Public Health Doctor Nunzio good morning to you.
Let me start with some of these web pages.
A page entitled facts about LGBT Youth Suicide and another page about creating safer schools for Lgbtq youth.
Both of those are gone.
You could eliminate the pages You can’t eliminate the people.
What are the consequences of, what’s implied by the elimination of these pages on these public health website Yeah? So these have been deeply disturbing developments.
What we’re seeing is sort of widespread tampering and dismantling of really critical public health data This.
Is happening at the direction of politicos, not scientists. Now there’s a reason why these data were collected.
They’re critically important for health agencies, particularly in our communities, to know how to protect us to know where in our communities needs are greatest and how to direct the very limited resources we have to protect people So taking away the data just makes that job Harder There’s, you know, never been this level of just sort of dismantling and tampering with data that we’ve seen, And it is deeply concerning And it’s only going to sow really distrust in the federal government, And I just don’t Think that there’s any you know I just don’t think that that’s in anyone’s benefit You phrase.
It is taking away the data, And this is what I’m interested in.
Is this from the public health community an assumption that it’s short lived? I mean at some point there will be an administration that believes that transgender people exist and may be willing to make that information public again.
The question is: do you believe at that point it will be retrievable? Is there fear that the data will just be gone Yeah, So, first of all, there’s a lot that’s unknown And a lot of these actions, I think, are happening in part because the directions that have come out of really the white House have Been so broad that they’re just very hard to interpret So what you’re seeing is really sort of widespread changes being made in part because of lack of guidance, so that’s just one of the problems.
The other problem is that you know there are actual changes being made to the data So, for instance, changes like removing what had been a category of gender that gives sort of multiple descriptions of who is being affected by certain diseases and trying to reduce that to The binary category of sex, male or female, Now for people who aren’t epidemiologists.
That might not seem like a big deal, but there is a reason why public health professionals have been wanting those more granular data, because they help us better understand what is happening in our communities and understand who we have to reach out to in order to make Our communities safer, So that kind of change that’s happening is also really important.
Now the federal data that are being taken down and just to say that you named a few sites, but we have seen sort of widespread data disruptions since these orders have been given, And I think there’s a lot of questions about when it’s.
Going to end, I will say that you can’t really keep data behind a lock and key, And you know in those amount of days there have been groups all across the country that are trying to do that have been downloading the data set.
So what has been collected so far does exist, but there are questions about whether we will continue to collect the data we need and share that information with our communities so that our communities know how best to protect themselves. Yeah Weekly reports, public statements from FDA and CDC embargoed unless approved by an appointee a senior level Trump administration delegate.
What is the impact? Take it for a second out of your profession and put it into my life.
What’s the impact of not getting? Those reports So first of all, information and communication is one of the most important public health tools that we have And it’s not just the reports that are not coming out.
It’s.
Also, the fact that our health agencies have been unable to get on calls with our state and local health officials.
They have been unable to share really important information about what’s happening, not only in the United States but the rest of the world.
The things that could be coming to our communities to affect us.
Why is that important? Well, right now we have multiple ongoing, very concerning and in some cases, deadly outbreaks happening, not just here in the United States, but in the rest of the world.
So there’s been avian influenza, which is a really concerning situation that we need minute to minute information on There’s also in the United States, one of the largest tuberculosis outbreaks happening It’s happening in the American heartland.
We need to know what’s going on with that across the the pond as it were. There are multiple viral hemorrhagic fever virus outbreaks, things like Ebola and Marburg virus deadly viruses.
We know that infectious diseases don’t stay put and they don’t take a break, And so we need to get up to the minute information about what’s happening with those outbreaks so that we know what risk it poses to American communities.
And what communities need to do to protect themselves Yeah And when CDC can’t even talk to our health officials? They cannot fulfill their statutory obligation to protect America.’s, health.
You know it’s interesting.
I read a piece in New York Times this morning about how the stop work on foreign aid has stopped some of the services around the world to try to stop the spread of some of those diseases as well doctor Jennifer Naso.
what's up guys welcome back to the channel my name is marco dria and today i want to update you on my spiritual journey it's been a while since i made a video in english on my youtube channel and since i made a video talking about my spiritual path my spiritual progress so i wanted to just update you and give you a hint or what's happening and what i'm gonna do next so basically i started a couple of years ago as i told you with the web method and then reading some books like the power of now by eckhart tolle and i got intrigued by this spiritual path since i was really interested in self-development and self-care after a while that you go into the self-development journey eventually you end up in the spiritual and personal internal growth and after trying many things meditations mindfulness and other things i went into the wim hof method cold showers breathing exercises for a while for one year and then i discovered some other books like the alchemist some other people talking about things i tried the isha kriya meditations for 90 days i'll leave the link down in the description if you want to check out the blog about it and i discovered satguru where i was initiated into the shambhavi mahamudra kriya process one year ago it's been one year of the shambhavi mahamudra kriya so i want to tell you how has everything changed and how i feel after the shambhavi i did for a whole period of time everything that isha foundation the foundation of satguru actually told us to do which went from the bhairavi sadhana a period of doing another kinds of sadhana the shivanga sadhana another period just for men doing some different kinds of meditations and exercises and i did other things many other things the pancha bhutakriya for to cleanse all the elements and many other events that we had and also i joined every guru purnima that there was for the full moon and i decided to get into hata yoga a little more so i decided to go to an isha instructor in milan and learn angamardana which is one of the most complete hata yoga exercises and buddha should be which is to cleanse the elements so i started implementing anga mardana buddha shuddhi and shambhavi into my whole routine i did 90 days of shambhavi then when i had anga mardana and buddha i did 48 days so a full mandara of both of them shambhavi included i then also discovered some other youtubers and people and i read books from satguru like youth and truth i bought the eternal ecos midnight with the mystic as some others i'm going to also start karma right now and other books i discovered some other korea exercises like sudarshan chakra kriya simhakriya other things that i implemented in my weekly rotation of sadhana and now i have a weekly rotation of changing some things and doing some different kinds of sadhana depending on the day so right now what i do i do shambhavi every day try to do it every day at least and then depending on the day i do for example on monday mardana and on tuesday i have buddha should the ancient body on wednesday i do another kind of kriya like sudarshan kriya or other exercises and then shambhavi then i do surya kriya not the one that they teach but one that i i learned by myself i know it's not the best option but it was something that i wanted to try in the future i'm going to learn it from the instructors shambhavi and then sometimes i also do on sunday ishakriya instead of shambhavi and then i do anger and buddha shoot again so anga mardan and buddha should do twice per week and shambhavi i try to do it daily and other exercises that i do differently depending on the day i also do the wim hof method and written exercises and cold showers once per week at least and some other things so anga mardana really helped me with my flexibility and my body should be is very nice to do but let me tell you shambavi was something that actually really changed my life many many people asked me after the last video that i made about shambhavi mahamudra how is my experience now after one year of doing it and it actually changed me a lot it's such a great and weird experience at the same time every day that i do it every time that i do it it's different it's very different there are some days that i just don't feel like doing it but i do it anyway there are some days that i crave to do it i try to do it in the morning i can't wait to do it i feel like my life was overwhelming me and i need those 20 minutes 30 minutes of just being by myself and keep everything aside for a moment before doing the shambhavi i also do the inner engineering crash course so i remind myself of five things that the inner engineering course of satguru tells you to remind so that's very awesome because you always remind yourself you are not the body you're not the mind you're responsible for everything this moment is inevitable you're the mother a mother for the world everything is one all the rules are your rules and many other things that they thought you after the first 40 days it was weird i had some weird experiences i already mentioned them in the previous video i'll link it down description if you want to check out how these 48 days were but after that it was awesome oh and i also met satguru a couple of times live in venice and in rome for the save soul movement and filling him in person was great was very very awesome i'll link down the blog if you want to check them out and i notice just like the fitness exercises just like uh working out the days that i don't feel like doing it they are days that really change changed me there are periods in which i experiment different things periods in which i feel things differently so sometimes there was a period that i tried to focus a lot on the between the eyebrows so i tried different things there periods in which i try to not think at all periods in which i try to just observe the mind without doing anything so i tested out many different things during this year and i'm still testing many things i know you just have one thing to do and i do exactly what they tell me to do what they taught me to do but in the meanwhile while you are there for 30 minutes every single day you think about something you know you're there and you always focus on some different things sometimes ah there are days that i actually feel explosive there are days that i end up and i noticed oh my god like 15 minutes more than i planned past and i was just sitting there completely lost into myself without thinking of anything just staying there there are days in which i felt nothing and just wanted to end it up as quick as possible but some days for example yesterday actually was a great day that's why i decided to make this video i did it and it was incredible so intense that while doing the the last part before staying like that the last part if you know somebody you know you almost charge yourself i felt very vibrant i couldn't stop myself i couldn't stop my body and i just you know let it be i just let myself go without judging myself leaving my ego at the door and just staying there and it was amazing so i noticed it's growing it's growing every day it's growing in intensity every day i notice there are some other sadhanas that i want to try in the future that are even more intense so that brings you more quicker to enlightenment or to our self-realization but this is really helping me to find peace harmony consciousness awareness every single day i feel more conscious i feel better my body feels better i never get sick i mean i was healthy before so i don't know if it's just for somebody of course but i tried vegetables for the first time and now i'm eating vegetables every day and i never wanted to eat vegetables for my entire life my whole lifestyle changed my entire goals and ambitions changed completely i went into depression for some time because everything collapsed of my previous me of the marco delhi of the past i wanted to have some a lot of things i wanted to be rich i wanted to be famous and then now that i can analyze myself i notice that these things are actually some dramas i noticed that i actually don't want that thing i noticed that i wanted to be famous just because i never been recognized from my father and some other different things so it really gave me an insight of who i really am what i really want it's slowly destroying my ego and my past my memories to leave space to the biggest thing and it was really hard guys let me tell you i also am much more sensible right now much more sensitive can read people real quick i notice i have a stronger connection with nature and with animals it's really it's much easier right now to just see my thoughts are are not so important and just seeing them without uh being identified with them my body as well so i don't suffer cold showers as much or exercises as much my sleep quota actually didn't change but i am much more conscious of what i'm doing everything that i'm doing and if i have to sleep less it's not a problem for me i have energy anytime i need it if you say tonight we don't sleep that's not a problem for me let me tell you the depression thing is not easy and i noticed that satguru tells you in one video that you actually put your life in fast forward once you start your spiritual process and so everything bad that has to happen in your life will happen real quick in just first year or months so that you can just go through it and then leave it at the door it's not easy as it seems but every time that i do it i also take some notes of the experiences that i have and also the knowledge that i get every time that i do it i'm learning so many things and i'm conceptualizing many things and learning a lot about myself i now have different goals different ambitions i had to rework completely on my body my relationships everything that i want to do in life my career my path but i noticed this was a much hidden thing for me i can't wait to go on i also noticed some other people that talked about other things and i can't wait to try them but let me tell you one tip for me if i have to give you one tip just stick to one thing so go for example for shambhavi or one kia that worked the most for you for example even isha kriya which is free in the app of satguru really worked for me so just go with one thing for that every day and while doing that remind yourself just three things it's all one everything happens just in this moment every night everything else is just hallucinations and the third thing is to whenever i'm meditating i just leave my karma my memories my past my tasks to do my future my mind everything my persona my identity my character my personality i leave marco at the door for a moment aside for a moment so every time i notice that if i remind myself these three things i'm here in this moment everything i put aside and i mean yoga i'm everything and everything is me so i'm just the universe experiencing itself and then i start meditating it's just clicks sometimes it clicks sometimes it doesn't sometimes you learn sometimes you don't you notice that it's a path and then i'm growing and growing and growing and i can't wait to make another video telling you how it's going so guys follow me on other social media and on instagram if you want to check me out on my updates i'll update you there uh quicker or if you have any questions just yet me there i will answer or leave a comment down below leave a like all the videos that are mentioned are in the description thanks a lot for watching guys subscribe to the channel and i'll see you in the next videos peace
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Sam breathing heavily mysterious music Right now, I’m flying in a U 2 spy plane 70 000 feet high at the edge of space. If you look outside, you can actually see the curvature of the Earth So to all the flat earthers out there.
I hate to burst your bubble, but take a look at that mysterious music, dramatic, music, Welcome to Beale Air Force Base Dating back to the 1960s.
This base has been known for one main thing: flying spy planes.
What began with the legendary SR 71 Blackbird now continues with the? U 2 an aircraft developed in secrecy within Area 51 to fly espionage missions over the Soviet Union during the Cold War, But despite over half a century of advancements in technology, the iconic? U 2 known by its nickname the Dragon Lady continues to fly, taking Air Force, pilots equipped with spacesuits up to altitudes exceeding 70 000 feet.
Today, I’ll be taking you along for an experience.
I never thought would be possible a flight inside the? U 2 to the edge of space, mysterious music engine roaring, dramatic music! So the? U 2 is not only one of the hardest aircraft to fly, but one of the hardest aircraft to land.
Because of the? U 2’s 105 foot wingspan.
She produces so much lift down low that you have to stall the aircraft to get her to land.
Six.
Four, three, two one, Because we don’t have traditional landing gear. We get a safety observer in the mobile vehicle.
The mobile officer is there to help safely land the airplane, dramatic music, For the run in phase we’ll set ourselves up with a nice turn: geometry Accelerate, as we’re joining to where we get onto the runway behind the aircraft anywhere from 100 to 140 miles an hour based upon the aircraft configuration dramatic music Once the aircraft comes to a stop, the ground crew put what we call pogos under the aircraft wings to level it.
The bicycle landing gear, not very stable.
You end up with a 105 foot teeter totter.
Once the aircraft runs out of airspeed.
Eventually it will settle onto one of its wing tips, which is why we have a titanium skid plate.
The pogos are unpinned for takeoff and re pinned on the ground after landing.
So that it can taxi back to parking like a normal airplane, dramatic music.
Well, there you go If you want to be a race car driver, an astronaut and a pilot.
I think these, U 2, guys are just about the closest thing to it. The! U.
2 is a product of the 1950s when espionage played a pivotal role during the early Cold War years.
Announcer Weight was the critical factor in the After realizing that pretty much every Air Force aircraft was able to be intercepted by Soviet air defenses.
The United States government realized they needed a new, more capable spy plane to keep tabs on the Soviet Union.
The idea was that if they could design an aircraft that could fly at altitudes exceeding 70 000 feet, they would be beyond the reach of Soviet fighters missiles and radar and could do their spying undetected.
Announcer.
It has the world’s.
Most efficient lift drag ratio for powered aircraft.
Not everyone knows that the CIA and not the Air Force were the first ones to fly the? U 2, and the reason for that is twofold.
The Air Force actually rejected the design initially because it was single engine unarmed and it didn’t meet military specifications for airworthiness. The other one is that it’s less provocative to have a civilian pilot overflying another nation rather than a military pilot Beginning in 1956, President Eisenhower authorized the CIA to overfly the Soviet Union with the U 2 and he was really conflicted about whether to do So, each time because he knew he was risking starting another war and we had just got outta World War II, But it was very important to get that intelligence on the Soviet nuclear program and their delivery vehicles.
The bombers and their missile program.
Announcer Center camera is mounted perfectly, The others are 37 degrees from the verticals And it really was a gamble each time he sent the U 2 over, because the intelligence at the time said that 70 000 feet was the limit of Soviet radar detection, but we weren’t a hundred percent confident Well, it turns out they could detect us On July 10th, 1956.
The US embassy in Moscow received a note that said that the Soviets were aware of the over flights on July 4th and July 5th, and they wanted us to stop.
Obviously, The ability to track us was really poor and they couldn’t shoot us down.
So there was no public acknowledgement of the US: U 2 over flights in the Soviet Union because they did not want to admit that to the rest of the world.
One of the most famous stories in the U 2 community is that of Air Force Pilot Francis Gary Powers In 1960, while flying the U 2.
As part of the CIA 30 year, old Powers was shot down over the Soviet Union by a surface to air missile.
Flying at 70 000 feet At the time.
No one believed a crash at that high of an altitude was survivable, but miraculously Powers ejected and lived After being captured by the Soviet Union. Powers was put on trial and sentenced to three years in prison and seven years of hard labor.
The event made headlines worldwide escalating the already red hot tensions between the United States and the Soviet Union, bringing the two countries even closer to the brink of war.
Solemn music, Now, as you look at these photos of the incredible story of Francis Gary Powers, what goes through your head? Well, Francis Gary Powers that’s a story that everyone in the? U 2 knows right And I’m just honored to be a part of the legacy of men like him that had the guts and the bravery to actually overfly the Soviet Union, And you know after he got shot down.
He showed so much perseverance to stay.
A year and a half in a Soviet prison and then return with honor, So it’s just an honor to be a part of an aircraft with such a rich heritage.
You know to get ready for this video.
I actually re watched Tom Hanks’Bridge of Spies movie, which, as you know, talks about the Gary Powers incident and the prisoner exchange that sent him back to the United States.
I also love seeing that some of that movie was filmed right here at Beale Air Force Base right.
We actually have some maintainers and pilots here that were extras in that film, So we all thought that it was a pretty cool movie with the U 2 featured Now one more photo.
I want to show you This right here, as you know, is probably one of the coolest selfies, I think ever taken of the Chinese surveillance balloon last year, where they sent a U 2 up to kind of see what was going on. I guess, in my mind, like the: U: 2 is probably the perfect platform for that right To be able to fly that high and you know check out what the heck this thing was: Yeah that’s right Again, we are flexible and responsive and versatile right.
So we’re here ready to answer the call suspenseful music.
Now one of the most accurate descriptions I’ve heard about what it’s like to fly.
The! U 2 is imagine you’re riding a bicycle, except that bicycle weighs 40 000 pounds and has a wingspan of about 105 feet.
Its incredibly unique design is what makes the U 2 so difficult to fly, but at the same time is what gives it such a remarkable performance.
So the wings are designed to produce as much lift as possible, while they’re getting rid of as much weight as possible, so it can get higher and higher and higher It’s been said that every pound of weight they get rid of.
They go a foot higher and they’re aiming to go 70 000 feet and above So we already mentioned it’s called the Dragon.
Lady Is that why’Cause it’s kind of fierce at lower altitudes and then flies like a lady up high The flight characteristics up high once you get into the area that it does its mission, it behaves like a lady.
She flies beautifully, but down low it’s a little more challenging, So you got ta wrestle the dragon to the ground, dramatic music, Alright.
So this is a speed brake Really, the only time we use it is when we are done with the mission. It’s, time to come home and land so time to come down.
She likes being high.
So the first thing in the descent checklist is putting the gear down and bring the boards out, which is pretty unique, being up at 60, 70.
000 feet.
First thing you do to descent, is put the gear down and then bring the speed brake out to start producing enough drag to get back to earth dramatic music.
So I read that this is the same engine.
The B 2 actually flies with.
I guess that’s, a fun fact – Is that true Yeah, that’s right It’s the same basic engine that the B 2 has So some unique things about that 17 000 pounds of thrust.
So when the airplane’s almost empty, around 20 000 pounds for as short, we do around here, we get a pretty high deck angle, climbing away from the runway.
Up to 30 40 degrees notice, high, dramatic music. Alright lot’s changed over the years.
In the U 2 cockpit, We used to have a physical periscope with a view sight right here in the center replaced with MFDs to check the status of all kinds of different things in the jet engine instruments.
Primary flight display status of different systems on the jet navigation Flight controls.
You got the yoke the rudders throttle on the left side, Pretty typical speed, brake control, spoiler control and the mirror up here to check your contrails.
You can see right now.
I’m just wearing a flight suit that we wear on every day, But if you can imagine putting the full pressure suit on there,’s gon na be even less room to move around the cockpit So that’s its own challenge to deal with Dramatic music Now over the years, obviously, technology has increased.
We have satellites now, but the? U 2’s still flying and it’s still doing a job.
It’s done for a long time.
Why is that? What does this aircraft still bring to the fight, So we’re in the business of high altitude ISR ISR is intelligence, surveillance and reconnaissance.
We could be persistent stay in an area for a long time. We could be flexible, So I could put a U 2 anywhere in the world on short notice and then turn around 10 minutes later and go right back.
Every different kind of player on the team brings unique strengths to the flight, dramatic music.
So, Sam, what do you think You ready for a high flight in the U 2 and go dance with the lady? I think I’m ready.
I’m nervous.
I won’t lie.
This was, I think, the one aircraft I thought.
I’d.
Never have the opportunity to fly in So I think that will sink in in just a little bit, But, most importantly, I’m excited for all of you to come with me on this flight.
It’s as much for you as it is for me.
Let’s do it upbeat music To disconnect? I’m just gon na disconnect here It’s. Gon na be everything’s clunky, You’re gon na.
Have this giant space glove on Anytime.
You have the opportunity to fly in a military aircraft, whether it’s a fighter or a heavy.
There’s training.
You have to be put through upbeat music, Where’s your canopy handle Left shoulder, get the beans.
They wan na make sure that, in the event of an emergency you don’t get yourself killed, Oh Well, at least.
If you can prevent it.
Sam laughs, I lost the glove.
There was the flight physical to make sure I was physically fit to fly.
Academics, to give me a basic understanding of how the U 2 works, egress training, how to successfully eject and bail out, should we experience a malfunction and even basics in parachute navigation, so that I could safely steer myself to the ground Okay sitting upright. So we’re gon na lean forward and stand up.
What have I just stood up into Um About a 100 plus knots of wind? Oh, Like that, you might just have to pass it Yeah yeah yeah And you’ll slowly go If they’re brand new, though you’ll go through the full lesson.
Well, there you go Most of my initial training is now complete, So now onto the part I’m.
Probably the most nervous for Behind these doors is where I’m gon na be fitted for my spacesuit dramatic music.
Now, one of the biggest concerns I had when preparing for this flight was how I was going to film it.
I needed a camera that could fit inside of the U 2 and, most importantly, can handle the extreme altitudes and temperatures up at 70 000 feet After researching the different options.
The Insta360 X4 was the camera that checked the most boxes.
So after reaching out to the Insta360 team, they agreed to sponsor this video, helping me capture the shots you’re about to see.
So what we’ve got here is two of the new Insta360 X4 cameras.
One in the front, one off to the side can allow us to capture some incredible footage from up at 70 000 feet. The X4 camera records up to 8K resolution in full 360, meaning you can film multiple angles with just one camera That gives you the flexibility to reframe your shots after the fact, including using their free Insta360 mobile app that has built in editing tools that makes reframing Your shots that much easier.
The X4 also has best in class stabilization and 360 horizon lock, which is great for both general action footage and especially using around aircraft.
And lastly, one of my favorite features is that when you pair the camera with their extended selfie, stick it automatically erases the stick from your shot, which lets you essentially capture fake drone shots, And if you use it like a regular selfie, stick it’s like Having a camera man following you around, If you’re interested in purchasing the X4 for yourself or learning more about its capabilities, you can scan the QR code on screen or click the link I’ve left down in the description below And the first 50 People who use that link will also get a free, extended selfie stick with purchase of their X4 suspenseful music.
So why do you? U? 2 pilots, wear spacesuits! Well put simply if you flew to 70 000 feet without one and lost pressurization.
That flight would be your last flight.
There’s a scientific term known as Armstrong’s line, which is an altitude at roughly 60 000 feet where the atmospheric pressure is so low that water boils at the normal temperature of the human body.
That means that if U 2 pilots, didn’t have these special suits and a decompression occurred, while at altitude their blood would instantly boil and lungs would be ripped apart.
Due to the lack of pressure I’m gon na.
Have you dive in Keep your elbows locked, So, as you can imagine, these space suits are custom, fit for every pilot, but in case you didn’t know I’m not actually a U 2 pilot myself, So what they did is they? Let me borrow a suit from a pilot who’s about the same kind of size and weight as I am Now there’s a certain level of adjustments that the team here is able to make, but other than that we just got ta hope for A good fit You’re having your thumbs through these tabs here Now when I say these are space suits that’s because they have actually been to orbit Prior to the first shuttle mission in 1981, NASA detected a defect in the batch of suits.
They were making for their astronauts. It was determined that the suits couldn’t be fixed in time to make the scheduled launch.
So what did NASA do? They made a phone call right here to Beale Air Force base and asked if there were any spare spacesuits that they could use, And I guess the rest is history, And that’s.
Why? If you look back at the photos from the crew of that? Very first shuttle launch they’re wearing the, U 2 iconic yellow suits instead of the NASA whites Make a fist Being in the spacesuit is slightly confining.
So one of the things that we actually look for when we’re doing interview sorties is we do a claustrophobia check on folks? How are you feeling, sir Feeling, okay Yeah, feeling good What’d you do So why a claustrophobia check When we’re? Looking to hire new, U 2 pilots, we wan na make sure that they’re comfortable in the spacesuit comfortable by themselves in that environment at all times.
So what that entails? Is we put them in the suit in a helmet, in an injection seat? Faced in a corner and leave’em alone for one to two hours to see how they will react, Not everybody does so well, but we wan na make sure before we spend the money to train them, that they know how to handle themselves.
This feels insane.
For me, one of the weirdest sensations in the suit was actually the breathing For one.
It’s super loud, so you’re hearing every single breath you take in and every single breath you let out And also at the same time it’s sort of a conscious effort because there’s a little bit of resistance.
Every time you exhale, you have to think about it right, It’s completely unnatural to what we’re used to in our everyday lives.
So what does it feel like wearing the suit? I’d say it’s: equal parts, badass and equal parts, terrifying On one hand, it feels like Neil Armstrong and Darth Vader And then, on the other hand, it makes you think, just how vulnerable we are as humans and how the second we leave Earth. You’re reliant on this technology here to keep us alive, mysterious music.
As soon as you have the suit on every movement, every task becomes about 10 times harder, As I was practicing, the different emergency procedures, turning dials moving switches even reaching down to actually pull the pins to arm my ejection seat handle it was tough.
I mean there is no like higher level of trust that goes into us, preparing your equipment, making sure that you’re ready to go And then all those checks we do.
The pilot is completely dependent on that outside crew Yeah Because they can’t do any of it.
Even the person who checks their aircraft who pre flight their aircraft that’s gon na, be their mobile driver, But tomorrow it’s all based on feel and what you think is what should be best realistically.
So what you’re gon na do now.
Is you’re gon na locate that food port for me as best as possible? Remember you can use the baler bar and find it with one hand and then just kind of guide it with the other hand, until you can get it in that hole Right here.
Yes, sir Yep, Maybe here It’s tricky It’s tricky.
It takes a while: Are you getting any food, Nice Awesome Trainer And then, before you finish, take your time.
I’m not rushing you, but before you finish, lick the outside of that straw before you take it out of the helmet completely Okay Trainer So eat. As much as you want, We’re on your time.
Oh wow, That was fun.
My training was complete My suit adjusted as best as possible, giving me a proper seal all around Meaning.
At this point, it was finally time to fly Shadows in the sky Footsteps.
In the night behind me, I don’t even have to do anything.
They do it all for me, Wolves hiding nearby, Whispering, do or die Around me.
Not one single cry Can save this soul of mine from drowning Dripping from my eyes Seeing red tonight.
As I wait to say my last Goodbye Air Traffic Controller Departure crew maintain flight, one niner zero Rolling one, five Charlie Wind 2007 cleared for takeoff Safe departure have a safe flight.
Emergency 02 lanyard Installed O2 QD Pushed in Crew Member Two chinstraps pressure and main airflow.
I got one two: three four and a ball Have a safe flight, dramatic music, Mongo, Pins panels, tools Cleared off chief, See you in a bit Crew Chief Copy that Have a safe flight. The! U 2 may look like a giant glider, but in her core she’s a fighter jet.
She takes off like a rocket every time.
So Mongo, I heard U: 2 pilots don’t call it a takeoff.
You call it a launch.
Is that true Mongo? It is, It takes a bunch of people to make this bird take off and we appreciate all of’em Maintenance, PSD everybody Thank them for everything they do to make the mission happen, And then it’s a blast off.
Huh Mongo, You’re about to see Ready.
I’m ready Mongo Tower Pinon 09 number one Charlie ready Here we go dramatic music, intense music Chase Car, Raise your right, Pogo free, pogo free.
Here we go Whoa That is fast: Sam laughs, Woo, Wow, mysterious music.
That is incredible.
Mongo We ain’t done yet So right now we’re about 0 3 miles from the field, and the spiral climb That was literally a rocket ship Makes sense. You wear the spacesuits Mongo: Oh yeah, engine roaring, NORCAL, Pinon, 09, Passing 200 for 230 Request, higher Air Traffic Controller, Pinon 09 Oakland Center climb and maintain at or above flight level 600 report reaching Mongo At or above 600 Pinon 09 Wilco It’s.
Funny.
I was gon na ask: is it normal Like right after you put your suit on you, just get like an itch on your nose Mongo It can And it’s.
Like can’t do much for the next couple hours Mongo Yep? Well, there’s 45, 000 Sam.
What’s the highest you’ve ever been.
So I did hit 50 000 once in an F 15, which was incredible, but we only did it for a few seconds.
So this is gon na be a lot more legit, I’d say Mongo Yeah, we won’t have any problem shattering that one today bright music Now crossing 50 000 feet is a bit of a milestone.
This is the altitude where Earth’s, atmosphere ends and the stratosphere begins And historically was once considered space, or at least what’s known as the space equivalent zone Mongo.
Now Sam there goes 50.
Your old altitude is now old, mysterious, music. It’s.
All new territory from here And you can see she still wants to climb At altitudes above 50 000 feet.
A person will become quickly hypoxic.
Why Simply put there’s not enough air pressure to allow your lungs to absorb the limited amount of oxygen? That’s in the atmosphere.
So if you’re going to be flying at these altitudes, you need to be wearing a full pressure suit.
Hence why we call it the space equivalent zone.
So if you notice here, if you kinda, look slightly above the horizon, you can see a gradation of blue into a dark blue Yeah Mongo.
If you could look directly above you, it would go even darker.
So as we continue to climb here, if you kind of maybe out the right side versus towards the sun there – and you can start to make out the gentle gentle curve As the numbers on the altimeter continued to climb higher and higher and as we quickly approached The 70 000 foot milestone the views to my left and right were something straight out of a sci fi movie Other than the astronauts in the International Space Station.
The two of us sitting in this aircraft are the highest human beings in the world And, as my pilot Mongo reminded me, because the rear cockpit in the two seat, version of the U 2 sits a few feet higher than the pilot in the front that meant, I was actually the highest human on earth – dramatic, music. You really are on top of the world here, Mongo.
Well, you more than me right now, bright, music Yeah.
That is true, And I guess I’m what Two feet higher than you laughs, Mongo Yeah.
A couple feet higher bright music Up until this point for my entire life.
Every time I’ve ever looked up during the day I’ve seen blue sky or clouds, But at this point it’s 70 000 feet for the very first time.
The atmosphere is now below us.
So when you look up, you see the dark black vastness of space, dramatic music Yeah.
I feel like I know the answer to this question, but does the view ever get old Mongo I don’t think it ever will.
Now there’s a term in aviation known as coffin corner.
It refers to the region of flight where even the slightest changes in airspeed or altitude can result in well. I think you get the point Something else.
You’ll notice on the speed tape on the left side of the screen, the red bar at the bottom, as we climb it,’ll start creeping up towards our indicated air speed.
As we start climbing into coffin corner The higher we climb, the closer we are to both over speed and stall up at altitude, putting us at a razor’s edge, flying margin at any given time Go too slow and you’ll stall.
The jet Go too fast and you’ll exceed your critical mach number Mongo.
You see how easy the roll there is.
Sam Yeah, dramatic, music Mongo.
She’s pretty pitch sensitive about altitude.
There’s, not a lot of air molecules.
The air over your wings will go supersonic, You,’ll pitch down, the aircraft will accelerate and the wings will fall off Mongo.
So here we go Watch your left wing, dramatic, music Wow. So it’s only been a little over.
You know an hour hour and a half for me, but what’s the longest flight you’ve ever had Mongo My longest one in the? U 2 was 12 8 hours moving iron between here and downrange.
So what are you doing to pass the time on? You know something that long Mongo, A lot of folks will read, or you know, keep themselves busy do puzzles and that kind of thing keep themselves mentally alert.
Was the rear end a little sore once you finally got out Mongo? Surprisingly? No, I mean I keep my lap belt, so I have enough space to kind of lift my butt off the seat and kind of flex my legs, so I don’t you know get too sedentary That’s smart Mongo.
We have some room, not a ton of room, So it’s.
You know we work with our sports therapist to kind of come up with the little things we can do in the sky, to kind of prevent.
You know, blood clots and things like that.
All right, well, I think now,’s a good time as any to pop open.
My lunch Never thought I’d be eating an apple pie at 70 000 feet, but here we go Mongo First time for everything Enjoy Will do Honestly.
This apple pie actually tastes pretty good. You can actually taste the crust Mongo.
Oh yeah, There’s, not many bad ones.
What are your favorites Mongo? I really liked the chicken tortilla soup for the longest time They changed the straw structure and now it’s hard to get the chicken through the straw.
Oh, no And not everyone knows they actually have heaters in the single seat variants of these.
So you can heat up your food Mongo Yeah.
It’s a little induction, heater kind of down by your left hip, So electric conduction heat it up for about 10 to 15 minutes and get a nice warm meal.
I love how the food bag says.
Dragon Food Mongo: Oh yeah, there’s all different ones that say things: Sam laughs, Air Traffic Controller, Pinon, zero, niner, air traffic, maintain 240 Mongo, 240 Pinon, zero, nine light, music Right Sam, so coming up, will be our descent check and first thing we do.
Is we lower our gear, get drag out there and help the jet start descending, So gears then down from 70 000 all the way till we land Mongo Yep And there’s no speed limit for the gear, unlike other airplanes, dramatic music.
So this one we’ll bug 90 knots. Once we’re lower and slower, we’ll go ahead and get configured Simulate the drag profile.
We want with 20 degrees of flaps and idle power.
Okay, can’t wait: Mongo, Pinon, 09 high key practice.
Precautionary Air Traffic Controller Pinon 09 report low key.
If I had to sum up that experience, I just had I’m, not sure you can really put it into words: Truly magnificent, dramatic music Air Traffic Controller Pinon 09 runway 15, Wind 180 at five cleared to land Announcer For more than 50 years.
The! U 2 has played a vital role in American strategic intelligence News Reporter From the Gary Powers incident on May 1st 1960 Announcer.
U 2 continues to be a valuable asset to the US Air Force and will likely remain so for years to come: Air Traffic Controller.
Six.
Four three: two To left rudder Welcome back nice job Back on mother Earth Made it back safely, dramatic, music.
Ah, Honestly, I’m not sure if I’m ever going to be able to top that experience. But I wan na sign off by saying thank you.
Did it Woo First off to the team here at Beale Air Force Base allowing me to do a project like this? Second, to my team manning the cameras and helping me tell stories the way I want to dramatic music And last but not least, to you watching Your support.
Lets me do videos like this, and it means more than you will ever know So that’s it from the mighty? U 2 Dragon.
Lady Don’t forget to subscribe if you haven’t already And in the meantime I think I’m gon na go, get outta this suit, dramatic music, intense music, .
I think we're lucky here we get the first bit of Jason cundy Chelsea review because obviously you weren't on talk sport last night were you and your show's not until 5:30 this afternoon correct with Jamie aara um I watched the game is that the worst Chelsea performance of the season oh with that question that that's that's not even in doubt um but it's been coming and we've progressively we have digressed um over the last I would say probably it's got worse since since the Everton draw one one and nil then we got beat at home by Fulham and since then things have deteriorated quite badly there's been a drop off I used to moan in the first third of the Season my complaint was we don't finish enough chances that was always my gripe come in talk about the chances get the second goal and we were at some stages in the games I felt we won games that we weren't quite convincing in but we had enough we got the second goal I can think of Spurs away where they scored a late goal brenford at home we got two up they scor a l goal um leester away 2 up they get a late goal and it felt a little bit like unconvincing but we took the points we could have gone top actually we beat Everton away just we going into Christmas and I know I had that chat with Abby about can we win the title I no but you were right by the way you were absolutely I know but you know I I get your and everyone else's point because but there's such a knej reaction in football Chelsea we overachieved in the first third of the Season there's no doubt about that in the middle Third Run of achieving so the drop off has been dramatic we've gone from being a side that managed somehow to find victories and that's some that's what it's about especially the young side like Chelsea young manager and I always felt that top four was was the aim I don't think I don't I can't see right now World in where Chelsea finished top four I don't doesn't feel doesn't feel like we we've got to come out this I mean you talk about a blip you guys are talking about BP this is now a slump yeah it's gone from a blip it's gone from being a into into this slump and the tail the drop off has been dramatic we've always conceded goals where I compaining early in the part the season about not finishing chances we're now not creating chances we've gone from completely one end of the scale what has caused this like what has caused such a significant change in events teams are managers are very you know they're smart they watch games they look back over what what Chelsea good at stop Palmer stop the wide men you do you got a long way to stopping Chelsea and I thought for as good as Brighton were they didn't have to be that good we're an easy team to play against we're a soft touch physically we're not I'm looking at Co the goal we conceded at home to West H where he's looking for a foul looking for a foul last night it's not a foul physically but then what annoying about that Jay not only did he go down easily he then s sat on the floor for three seconds get up and that's that's a little bit I mean I just asked what that's a little bit like you know that's where we are at the moment where his young boy 21 cwell you know he needs a we just talking about experience right he needs a John Terry along next to him he needs a Thiago Silva of leaders then there there's there's a lot there's a lot of things Cole Will is learning on the job John Terry came in he had Le birth at the club myself siie at the club and they learned through one another um last season even when we won the Champions League Thiago Silva was was at the back you know and that was asqueta another one you know that that's won everything in that he could win and we're aside that we're fragile and you can see that fragility it's very easy to see how even when we're in games and we're playing well and leading we're still vulnerable and we're this is a big moment the next was it 14 games left 13 games something like that left this is huge for us because we got Villa away I can't see us at the moment I wouldn't put any money on just getting something out Villa but they can see goals to be fair you know they they're they're a bit leaky at the back but we're we're a side now that have gone from scoring goals yet conceding creating chances not finishing them off to a side that don't create chances um yet still leaking goals and that's a bad combo where does the blame then lie lie at the moment because I I've seen it feels like people are maybe questioning Enzo mesco and where he's at as a manager but it still feels like jayes for me looking in at Chelsea you know chance last night from a a lot of the way fans about you know Roman Abramovic obviously lots of people unhappy with the kind of the new ownership in terms of lots of money has been spent sure but then it's quite remarkable that over a billion pounds have been spent in whatever many seasons and yet you haven't got a decent goalkeeper feels like you're a center back short and a center forward short is ultimately poor recruitment the main reason as to why this team the club made a decision the first the first transfer window when they came in they bought kabali they bought aubameyang they bought Sterling so look at the what are those players there they are experienced players they are players that have won huge amount of trophies between them and that transfer policy shifted they went from that then you look at the transfer policy we're now buying potential players we're bringing in 21 year olds bringing in 19 year olds C Palmer cuz these PL there's potential but the the issue that we've that I feel we have got right now is that potential needs help potential needs I mean I'm going to bring that John say it's the best example I can think of right now John Terry worked and played alongside and trained and watched and it's not just the pitch it's training it's looking after yourself it's it's in the dressing room it's outside the dressing room it's how you how you behave how you act all of these things it does feel that the transfer policy that we that the club have clearly adopted and looking into the future it's going to take time for that to mature football doesn't wait it's about the here it's about the now and and less results in foot we're all guilty of it you know the football fans aren't patient people we're not yeah and I know you were doing the game for Chelsea but did you watch the game T I was working I was doing the game last night Jamie carrian made that point in the commentary he said Chelsea are not a project process Club it you got to come in now and you got to win now it's not about you know I think Jamie said if Chelsea do win the league in three to four to five years Enz mesco ain't going to be there doing it no and I I have a Little Bit of Sympathy with that because you C you know you gave him mesco a 5-year contract right so there must be a View to a long-term project there as well so I don't really understand to give someone a five-year contract if you're going to look it if he doesn't get top four and B him at the end of the season he should by the way and I was doing the game last night Scott MTO was doing the ccoms um and he was basically echoing over what you said he was literally saying it's Chelsea a soft team you have to look at the recruitment because there's holes in the squad um and the lack of leadership as well is is is is a concern I just I just think it's fascinating because I've said this to you before and I always look at Chelsea and I've always wondered if they could have just flipped what they've done I've got no problem with like fine they spent the money but like you said about the experience and help surely over the billion pounds youve SP said could you imagine if they just flipped the narrative and would have brought in readymade 26 27 year old with the world class players the best on the market for that money and then every so often every 18 months you drip fed one of the young the most exciting young talents coming in so they're learning with the best players you then the the cycle of quality comes through Chelsea are still at the top ends you know competing for for trophies because that's Chelsea's DNA you know seral winners you never went back toback Seasons about winning under Abramovic so this is a a cultural change for Chelsea fans because they're not used to it but for me it's actually it was actually there anyway you've got the owners that wanted to spend money but they've just done it in a way that I don't really mind it I get it potential you buy The Bu players because the club can still have you know a successful future but Chelsea's not like that Chelsea's a here in now football club that are built were that this is the big thing I think a lot of people confusing what Chelsea were under Ro to what we are now we're a totally in in name only really are we the same club for sure but this is a well I'm talking to you as a as a as a suppor of a club that you want the Champions League four years ago so like you know and and I'm a suppor of a club that hasn't won the Champions League so like Chelsea just do not go like even like the FA Cup like Chelsea have to be going to the finals but new owners come with new ideas look at many United the whole policy has changed so what you knew as what I know as or knew as a Chelsea fan that that there's there a there a new chapter it's a full stop and you you turn the page that's not the same story I get that but in the world of football of course how how can story be like winning winning winning winning winning stop our ideas surely it has to be but that but that is because they've got a whole different ownership yeah but the RO the Roman era has ended right and the I mean I guess the only thing that the clear like a similar in is is the fact that they sacked well they they passed they spend M by the way they spend money there's one thing you can't I'm not they SP Mone I think they spending money in the wrong way yeah and and they obviously got rid of they they parted ways with poch because they they had different ideas but they are totally different entities Clear Lake and and and Roman but I think in our mind Chelsea are still Chelsea but they're not what we think Chelsea are what we've grown up with knowing Chelsea what you know Chelsea are and how Chelsea is last 20 years the last 20 years it's a different era now so they're buying young talent I totally agree they should be buying talent that can go in there alongside it but their whole transfer policy has been completely out of whack think about what they've gone and spent think about the fact that you bought in Vega you just sold him again didn't you he's online or he's on but you you've already done certain things like that players you bought in six months ago are already back out the door the fix is a bizar is bizarre so that's because you've got an ownership that has come in that is so different the way that Roman ran it you know you know what you got with Roman you got success you got trophies you changed your managers but at the end of the day it that it was it could be backed up by the results and the trophies that they won with Clear Lake it's they don't necessarily know how to run a football club they've come in and thrown all the money in the world at it you know Tod B was in Twitter spaces being told who to buy and he's gone and done that and it's just now you're trying to rectify the the the issues that when they first came in and them just throwing money at anything they're now trying to rectify those issues and have a little bit more control of the situation the the best teams if you look back over history even right now the best teams right you need experience and you need Youth and you need a blend to be the Here and Now team you know the Chelsea so the the average age of a of a team that's won the Premier League I think it's around about 27 28 over over the history of it Chelsea Chelsea's average age is 24 25 yeah it's the youngest in the league so so you you just look at those numbers on their own that tells you a little bit about what Chelsea has become under the new owners with this is a side that's being built for the future but part of and I remember this from my own experience playing alongside Paul Elliot part of your education as a young footballer is learning and playing with and you spending time with players that you aspire to be one day you you want to play and you want to look up and this is what I want to be this is how I should behave this way and you pick up bits we're we're a squad the team that when when we become fragile and last night is a very good I could name you dozens of examples of that type of thing fullam at home is another one the game you could you could feel Fulham are going to get the next goal and then when they scored he felt they were going to get the win you need a you need a someone at the back you need a someone in Midfield and the problem we've got is that that squad has even the money that's spent the squad does lack Center half I think the spine goalkeeper Center half Center Midfield and we lack experience um on Brighton the matoma goal how special was that as a finish did you even as a Chelsea fan have to say fair play well I said in comms you know it could go down as goal of the Season you know it's one of those but I'm then I'm looking at from a Chelsea point of VI I'm looking at Chala um the balls traveled a long way um no no goal should be scored like that it's a brilliant goal I'm taking nothing away from um Mata from my point of view Shala needs to engage he he he doesn't actually lay any fingers on him just lets him bring it down almost yeah it's a brilliant touch I I think in that situation I think chalar is expecting the ball to be bounced off him he's not expecting the first touch but once that first touch comes in and that that's killed him the second touch and the third and then the strike it's it's a brilliant goal but from a Chelsea point of view um yeah Chala will look back on that and has got to engage he's got the keeper kind kind of gets there doesn't he m m you might be right you might be right but it from my point of view once he opens the goal up yeah then then the problem has been created there's your issue and I think chalab will be disappointing what he what he did just on am on da via the talk sport app and on your smart speaker talk sport
Hi! My name is Kelubay and I am with Casa Azul Productions. In this free online course, Casa Azul will teach you how to create your own website. If you have a passion for design, photography, writing, or any other form of creative expression, than creating your own website will be an exciting challenge. So, why is it important to have a website? A website can lead to new and less expensive marketing opportunities. Here are some of the benefits of having a website: Websites are a great way to showcase your hobby to people everywhere.
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So, whether you’re, a seasoned, streamer or just starting out these techniques are going to add Dynamic flare to your broadcast, so fire up your OBS setup and you know what let’s get to it all right now that we’ve set the stage for some mind-blowing transitions. It’s time to roll up our sleeves and dive into the creative process. In this section, I’m going to guide you step by step on how to create these stunning transitions using a powerful, yet completely free tool Da Vinci resolve whether you’re, a seasoned, editor or just starting out Da Vinci resolve offers a robust set of features that will help You bring your transition ideas to life with ease. There is a link in the description, so you can download it and follow along. That is the best way to learn.
So, let’s fire up Da Vinci resolve and get started, creating transitions that will enhance your OBS streams, but also make your audience go. Wow all right. So here we are in Da Vinci resolve we’re not going to use anything special here. It’s all super simple: we’re going to go into effects, and the first thing we’re going to do is go into generators and we’re going to add a solid color right, and you can see the solid color that it adds is black, which is fine, put as much Space in there, as you want at the beginning of your transition and then what we’re going to do is we’re going to go into effects again. We’re going to add another solid color; we’re going to select that solid color we’re going to change it to White. So, essentially, we’re doing a transition from dark to light and you’ll understand what I mean about putting time in the beginning in a second, we can shrink this up like that, and what I’m going to do is put a little more time in the front of it And there we go next we’re going to go into our video transitions right here and you can literally select any transition that you want.
So, the one that I used in the example in the intro is what I’m going to select here, and so all you have to do is Select it up here. You drag it down in between your two pieces and then you could see what it’s going to look like. We go from black to white, there’s our transition. Now we can select the transition in here and we can go up here and we can change the size of the checkers.
We can do all kinds of cool stuff here. So now you can see it’s bigger, so whatever you want to do, but that’s the general premise takes 20 seconds to do this this and you can do it with any of them. So, what I’m going to do is go ahead and go over here to our export and then I’m going to go ahead and select the resolution for my live stream and then I’ll just go ahead and put in here. Checker and we’ll go into our location and just tell it where we want this to save and there isn’t any audio or anything. So, we don’t really need to mess around with anything. We just select this, and we’re all set. You can see, it’s pretty simple. Just add it to the render queue and render it out, and let’s do a couple more just in case. We don’t really like how that one looks so in order to change it up.
All you really have to do is just grab one drag it down and you can replace it and then see what it looks like now. If you want the transition to be longer, you can actually grab the transition and stretch it out on both sides like that, and there we go now. I kind of like this one. So, what I’m going to do is go ahead and Export that one and we’ll call this one disc and we’re going to add that to the render queue, and I’m going to go ahead and delete that one. Since we rendered it and we’ll render this one. And now we’ve got two different transitions that we could play around with now. If we wanted to add audio to this transition, it’s pretty simple we’re going to go back over here and what we’re going to do is we’re going to go into our media pool and I’m just going to drag some audio in there.
Now you can get your audio from pretty much anywhere. You want, there’s all kinds of free, goofy audio available out there, I’m going to go ahead and use this data wave right here. It’S super short clip. All we have to do is drag that into our area. Here and it works better for this particular transition near the end, I think, but let’s see what happens: yeah. It doesn’t actually work well for that transition. So, let’s go up here into our effects and we’re going to grab the other transition that we already did we’re going to put it in here and I think it works better for this transition. There we go so I’m going to go over here to the rocket ship and we’re kind of and I’ll just call this Checker with audio I’m going to delete that from the queue I’m going to go up here. Just make sure we’re on the 1080.
Once again add it to the render queue and render it out and boom. So now we’ve got one with audio as well. Now that we’ve crafted our stunning transitions into Vinci, resolve it’s time to bring them into OBS and make them work seamlessly with our live streams. In this part of the tutorial, I’m going to walk you through the process of setting up these transitions using two fantastic free plugins, the move, plug-in and Source clone. These plugins are game changers, allowing you to add Dynamic movement and flexibility to your scenes with ease. There are links in the description down below to the move and Source clone plugin as well. So, let’s dive in and transform your OBS setup into a professional grade production with these really powerful tools all right. So here we have our scenes. We’ve got scene, one just my main camera in their scene. Two. I have the media Source in here.
It’s just a simple video in the background we’re going to go ahead and add my camera in here, so we’re going to go to video capture device and we’re just going to add the existing camera for now. Click. Okay, now keep in mind. You should already have the move, transition, plugin and the source clone plugin installed on your system. If you don’t know how to install those or find them, I’ve done plenty of videos on plugins like that. You could check it out up here and it will take you there, but you know: try it after the video.
Let’S go ahead and add one more thing here: I’m going to add a color source and we’re going to make this color Source red click. Okay and okay, and there we go, and so I could shrink the color Source down and put it in here and what I’m going to do is shrink the camera down and put it over here as well, and all I have to do obviously is move the Order around a little bit so we’re going to go ahead and create our transitions right now, we’re going to right click on cam and we’re going to go up here to show transition and in the show transition we’re going to go to stinger and we’re going to Browse and we’re going to find the transitions that we just created and we’ll start out with our original Checker and click open, and now we have some stuff that we can do here so so this is a track mat.
You saw it goes from black to white, so we’re going to go ahead and select, use, track, mat and we’re going to drop this down and we’re going to select mask only and there we go now when we go to preview transition, you’ll see how it works And there we go so you can see that pause at the beginning and then it moves over and that pause is kind of important you’ll see why so we’ll go ahead and click okay and we’re going to do the same thing with our color source. So we’re going to right click and we’re going to go up to show transition, we’re going to select Stinger we’re going to go ahead and select the same Stinger, so we’ll go with Checker and we’re going to go with use track. Mat we’re going to drop this down, select mask only and that’s all we have to do, and you can see this is going to have the same delay and then there you go so now when we go back here, and we go here. Well, nothing happens. Why is that?
That is because the only thing that’s going to happen is when this is turned on and off there you go so we’ve got still a little bit of work to do, but let’s add the transition onto our screen here as well. So, what I’m going to do is go down to Media source and we’re going to go into our show transition and in this case, we’re going to go ahead and do our slide transition. So there we go we’re going to slide it left and there we go. So, you can see, see that’s working, but that’s kind of the same deal. It only happens when the eyeballs turned on and off. We’ve got to come onto this scene with all of those eyeballs off and then have them turn on. So how do we do that?
Well, we’re going to right click on scene two here and we’re going to go into our filters, we’re going to start out here by clicking the plus and we’re going to go to move source. So this is part of the move transition and we’re going to click. Okay, and so now, what we have to do is Select our source. So, let’s start out with our camera source and we don’t need any custom duration, you don’t have to change any of that. No change transforms and we’re going to start out with show. At the start of movement, in other words, we want it to turn on at the start of the actual movement. And if you have audio in here, then we’re going to mess around with that. But right now, we’re using the non-audio one and then the start trigger right here has to be AC acate. So now, if we turn off our camera source and we go here,
then we go back here there. We go it transitions on with that little delay. Now the problem is that if we go back out here and we come back well, it didn’t turn it off again. So we have a little bit more work to do we’re going to right click on here and we’re going to go back into our filters and what I’m going to do is I’m going to duplicate this filter right here and then what I’m going to do. So we’ve got camera all the same stuff, but we want to go down here and we want to do hide at the end of movement right. Okay, so we’ve got that hidden and then we need to go down here and we need to change this to deactivate when filter becomes active. So, there we go so now. We should have everything we need to turn this on and off. So, we don’t have to turn the eyeball off now we can go to scene right and then we can go back here, and it’ll take a couple seconds and boom our transition awesome.
So now all we have to do is do it for the rest of this stuff. So, I’m going to right click and I’m going to go back into filters and what I’m going to do is duplicate the first one, the move Source right and then I’m going to go in the move Source. Three and I’m going to drop this down. And I’m going to select the color source and that’s all we have to change I’ll, go to move Source two and duplicate that and we’re going to make this move Source 4 just to keep our naming proper and we’ll drop this down and select color source as Well, close and now you’re going to see both our color source and our camera are going to come on and do their thing boom.
There we go so now. We just have to do our media source and that’s the same deal we’re going to right click here. We’Re going to go into filters and I’m going to take this move Source One here and we’ll duplicate it and and it’ll be move Source 5. I’M going to drop this down, select the media Source, I’m going to take move Source 2 duplicate it and we’ll call this one. Six and boom drop this down, select media source. So that’s all we’re changing after we create the initial one close. So now, when we move off of here and then we move back on boom that slides in and then our stuff appears wow awesome stuff. So now we’re all set. But we want to put some more interest in these down here uh. So we’re going to add masks to this stuff and if you’re not familiar with masks, they’re pretty simple, all you have to do is you know, create a mask. It looks something like this right here, so it’s just a black box with the alpha background.
It’s very simple stuff, so you can create this in any sort of tool. That does you know Photoshop or [, __, ] or whatever just create yourself a shape and you’ve got a mask, and the shape is black. So there we go so now. What we’re going to do is we’re going to add that mask to each of these, so I’m going to go into Cam and I’m going to go to filters, I’m going to click the plus right here, I’m going to go to image, mask blend click, okay, and What I’m going to do is go in here and select that mask we’ll, go to Mask 2 open and you can see that doesn’t look right, but it’s easier when we just select the right thing so Alpha Channel, mask and boom, you can see that we have Our stuff masked out we’re going to do the same thing with color Source filters plus and then we’re going to go to our mask blend boom, we’re going to browse to our mask. We just need to change this, to Alpha, mask and close, and there we go so now. We could kind of rearrange this a little bit, so it looks better, and we can use the arrow keys and there we go you’re going to notice here that there is one slight problem with our mask.
If we go over here uh-oh, that’s not what we want. You could see that it’s applied our mask to this camera and that’s not cool, that’s not what we want now when we go back here, you’re going to see that everything works exactly as it should, but we don’t want our main scene to have that mask. So that’s where the source clone comes in, I’m going to go ahead right here, I’m going to right click on our camera and I’m going to go ahead and remove it and I’m going to click the plus and we’re going to go to Source clone and what We’re going to do is we’re going to change a source and that source that we’re going to change is going to be our camera right here and we do want audio, so we’re good to go so now. We’Ve got our audio in there and our source clone in there. For some reason you can see that we already have the uh mask on it and that’s because it’s still maintaining the mask on here. So, we have to go in here, go into filters and we have to take that mask and remove it.
There we go close now we can go back over here, and we can see that we don’t have the mask on. So, what we’re going to do is go to our source clone and we’re going to go into filters. Click the plus go to our image mask blend. Then we’re just going to add that mask in there again very simple stuff. We want to do the alpha Channel and close. So now we have our mask the only thing that you’re going to notice here is when we go back out here and then we go back over our red background is transitioning, but our camera isn’t. So we have to read this so we’re going to right click on here and go into filters, and you can remember these first two were for camera, so we’re going to drop this down and select the uh Source clone instead of the cam and right here we’re Going to select the source clone and then we can close so we’re going to right click on here and we’re going to go into our show transition.
We’re going to add a stinger transition to this and we’re going to select it, and so we use the Checker click. Okay and right down here. We’Re going to use the track, mat we’re going to select Matt only – and we don’t have any audio in here. Just yet so that’s all we need to do click, okay and now, when we go out and we go in boom, everything is working just like it should. So we can change this up. We can right click on here and go into our show transition and we could go down here to properties and let’s select our other transition.
This one was called the disc, and we’ll click open and okay and we’re going to go into our color source and into our show transition and we’ll go into properties and we’re going to just select the same disc, because these two have to be the same. The kind of act accent one another, and so there we go so now we have a completely different transition. It only took about a second for us to change it up and boom. There we go. It appears now. If you want to try the one with audio, that is only slightly different, let’s go ahead and go into our show transition right here, we’re going to go to properties, we’re going to select the one with the audio in it, so that would be the Checker with Audio and we’re going to click open and for this one. What we’re going to do is go down here and you can leave monitor off on if you want, but we’re going to go ahead and select cross fade so that the audio comes across and that should be pretty much all set.
If you wanted to hear the audio, you could turn this on, Monitor and output, and we’ll do that just so, we can hear it, and we don’t need to change the color Source because it never had any audio. To begin with now, we’ve added some incredible transitions. Has a delay, it does the whole thing. It’s absolutely freaking awesome, pretty simple and the reason why we use Source clone obviously is, so we have the full thing here where on this scene right here, we just come in with the actual mask. So, there you go.
The source clone allows you to do masks on the same camera that you’re using in other scenes without masks and, of course, the move transition is the other thing that enables all of this to happen, because you can turn your sources on and off super simple stuff, But man does it look amazing now I hope you’re as excited as I am about the incredible transitions that you’ve just added to your OBS setup, with the power of Da Vinci resolve and the versatility of the move and Source clone plugins. Your streams are now set to Captivate and engage your audience like never before now.
If you found this video helpful, don’t forget to give it a thumbs up and subscribe for more content like this and I’d love, to hear your thoughts and see how you’re going to be using your transitions in your streams, so drop a comment below and share your Experiences ask any questions or suggest what you’d like to see me do tutorials on in the future. Your feedback is valuable, and it helps to shape the content that I create and, if you’re struggling with any sort of audio on your live streams, maybe check this video out. It can really help you out.